Senavati has different notes compared to both Nodes A and B, but there is only one note change between Nodes A and C and two note changes between Nodes C and B. Therefore, they have an edge linking the two nodes together, and it is positive. They also only have one note change between the two ragas. Given the similarities in the notes for Kanakangi and Ratnangi, we can say that they are part of the same chakra in this case they are both part of the first chakra, Indu.
For reference, Kanakangi is Node A, Ratnangi is Node B, and Senavati is Node C. In this example, let us look at three different ragas: Kanakangi, Ratnangi, and Senavati. Having a network structured like this makes it accessible to beginners who wish to learn about similar ragas based on the predetermined structure of Carnatic music.
A balanced triangle hints that there is similarity between the ragas chosen, but an unbalanced triangle proves that there are differences in the combination of ragas. This is otherwise known as the structural balance theorem. This in turn creates a network where the viewer can understand which ragas are similar to each other and how the resulting raga triangles balance based on this. Anything greater than that is a negative link. A positive link is determined by there being 0 to 2 note changes between the ragas. In this application, a raga network would be based on the note changes between each raga. These 72 ragas are then organized into chakras based on the similarities between each raga’s notes. Using the 16 possible notes coupled with placement rules, a system of 72 parent ragas has been created. Each of these ragas contain 12 notes in a scale which are divided into 7 types of notes.
These swaras are then structured in the form of a scale going up (called the Arohana ) and a scale going down (called the Avarohana ). As explained in the article, ragas are simplified into scales that contain swaras. The most complex aspect of understanding Carnatic music is the structure and how the music scales are organized. However, what is important to note about Carnatic music is also mentioned in the following article ( ). What is unique about Carnatic music is that the tune and rhythm are as important as the extempore and lyrical aspect of the song. This style of music spans multiple languages including Tamil, Telugu, Malayalam, Kannada, and Sanskrit. Every Wednesday and Saturday, I would sit on my teacher’s carpet and sing- not the music traditionally performed in a choir at school- but music that embodied my South Indian culture and tradition that I was trying to preserve in a country halfway across the world.Ĭarnatic music is a style of music that originated in Southern India thousands of years ago. The sruthi box humming in the background is comforting in the silence of the room. My Carnatic music teacher gestures to me after singing multiple sets of notes or swaras.
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